La Musa Se Pinta Sola
Mixed media on reclaimed panel, 2026
“A study of self-authorship, gaze, and the refusal to choose between creator and subject.”
View the pieceun archivo vivo —
Timeless Questions · Rebel Thought · Art for the Future
Philosophy for modern life, explored through art, astrology, culture, and a Chicana perspective.
the contents of the research desk, this week
Dostoevsky, on faith, doubt, and the family we can't outrun.
Or is that just a story we tell so the suffering means something.
A gutted paperback becoming something that can hold your keys and your questions.
The intellectual universe, filed and cross-referenced.
Old questions, asked again, without the robes.
A language for timing, not a substitute for choice.
Where the thinking becomes a thing you can hold.
What the old ways already knew about the world we're building.
The news underneath the news.
One idea, followed all the way down.
Philosophy
Philosophy got cornered into universities and gatekept by footnotes. It was never supposed to be a locked room — it was supposed to be a fire everyone could sit at.
Read the essayMixed media on reclaimed panel, 2026
“A study of self-authorship, gaze, and the refusal to choose between creator and subject.”
View the pieceCollage, archival paper, ink on wood panel, 2025
“On living in the in-between — the space Anzaldúa named that most of us were never taught to claim.”
View the pieceObjects from the Chicana Hippie universe — not merch.
Mixed media on reclaimed panel — 2026
The original piece. One exists. This is it.
Archival giclée print, 100lb cotton rag — 2025
Edition of 50
Museum-grade print of the original collage, numbered and signed.
Heavyweight cotton, hand-numbered ink stamp — 2026
The tagline, stamped like a manuscript proof. Runs true to size.
Reclaimed hardcover novel, waxed thread, brass hardware — 2026
One of one
Built from a gutted, water-damaged copy of The Brothers Karamazov that couldn't be saved as a book, so it became something else.
Knowledge should liberate, not intimidate.
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